He liked the arch-wizard’s quarters. Of course, he should; he spent enough money rebuilding them every few months. The last time had been particularly difficult; the man had somehow created trees in his quarters. Not a tree – trees. With roots that had grown down two full stories and trunks which had grown up three. He’d had to basically remove all the stone from this whole section of the palace. It had cost a veritable fortune to have it rebuilt. The sad part was he’d gotten to the point where he never even bothered to ask why. Werten always had an answer and it always seemed to make sense – at the time.The workshop wasn’t very homey. It had a single long table in the center and workbenches along every wall with shelving neatly above them. A door on his right led to a small library and a door on the far left wall led to his personal chambers. The room was part phylacterum, part alchemy lab and part wizard testing ground. It was filled with tubes and cups, metals and alloys, exotic. As I was watching the stone, it spun 360degrees and stopped. This time the humanoid figure was glowingslightly, pulsing even. I awoke still on the plane with my hand in mypocket clutching the stone tightly."I wonder if that's some kind of sign." I thought to myself.---Back home life went on as usual, except that after work every day Iwould come home with photos I had printed at work, magazines I had seenor any other media that I thought would be interesting. I spent mynights learning and experiencing. I learned that when I entered aphoto, my emotions took on slightly the same feeling as the photoportrayed. Once I had ended up crying my eyes out for the entirefifteen minutes I was in a photo, because the girl in the photo lookedsad. Through trial and error I had also learned that to wish myselfback home I had to close my eyes tightly before I wished.Once during my experiments I had taken a photo of my own living room,with the stone sitting on the table. When I set the stone on it, I.
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